Please enable JavaScript in your browser to use the site fully.In that year he returned to Brazil to live after more than a decade in Paris.He had become an internationally recognized composer during that period.
Therefore the new nationalist regime of Getulio Vargas was willing to embrace his music both for the prestige he brought the government and out of national pride. Most of them contain double sets of titles, one using a musical term known to Bach s era, and the other one referencing Brazil in some manner. ![]() One therefore expects that the bassoon will play similar material and thus create a modern Brazilian version of a two-part invention. However, upon its entrance it plays a melody in Brazilian popular music style. This validates Villa-Lobos Brazilian title, for chros are a type of Brazilian urban street band as well as the music these play. This movement, therefore, recreates in miniature a kind of texture Villa-Lobos often used in the dozen or so earlier works he called Chros, which often place a flowing melody, usually in the lower mid-range, against much faster material. It is full of energy and chromatic enough that no tone emerges readily as the key center of the composition.
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